Showing posts with label Denise Lasalle. Show all posts
Showing posts with label Denise Lasalle. Show all posts

Friday, February 24, 2012

Denise Lasalle - Still Bad - 1994

Size: 110,0 MB

Time: 46:59

File: MP3 @ 320K/s

Released: 1994

Styles: Blues Soul

Label: Malaco

Art: Front


01. Right Side Of The Wrong Bed (4:00)

02. Soft-Hearted Woman (4:26)

03. Three People (3:10)

04. No Supervision (5:05)

05. Child Of The Getto (3:54)

06. Dial 1-900-Get-Some (5:03)

07. Risky Business (4:41)

08. The Sweeter Man (4:01)

09. It Ain't Over Til The Fat Lady Sings (3:54)

10. A Woman Needs To Be Loved (4:16)

11. The Bitch Is Bad (4:24)


Still Bad demonstrated that at 54, Denise LaSalle was still very much on top of her game. As its title indicates, the veteran soul and blues singer hadn't mellowed with age--those who love to hear LaSalle taking a sassy, in-your-face approach won't be disappointed by trash-talking numbers like "1-900-GET-SOME," "Right Side of the Wrong Bed" or "The Bitch Is Bad." But true to form, LaSalle has no problem turning around and showing a more sensitive side of herself on "Child of the Ghetto," an inspiring, poignant ballad describing a poor woman's determination to improve her life. LaSalle's Malaco output of the 1980s and 1990s was quite consistent, and with Still Bad, the singer once again excels by sticking with what she does best.

Friday, February 17, 2012

Denise Lasalle - Right Place, Right Time - 1984

Size: 89,5 MB
Time: 38:16
File: MP3 @ 320K/s
Released: 1984
Styles: Blues Soul
Label: Malaco
Art: Front

01. Right Place, Right Time (4:17)
02. He's Not Available (3:27)
03. Treat Your Man Like A Baby (4:10)
04. Good Man Gone Bad (4:05)
05. Boogie Man (3:01)
06. Your Husband Is Cheating On Us (4:38)
07. Why Does It Feel So Right (3:41)
08. Keep Your Pants On (3:46)
09. Bump And Grind (3:40)
10. Love School (3:27)

The title cut came close to getting Denise LaSalle a little attention beyond the standard Southern boundaries. The rest of the album is her familiar litany of terse, crusty dialogues, country and blues-tinged wailers, and hard-hitting soul tunes. At times, LaSalle and others of her generation seem like illogical warriors, fighting to keep alive a sound that's long since faded as a viable commercial proposition. But as long as she keeps making records and putting her heart and soul into them, they deserve a listen by fans of the genre.